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Ofsted: ArtsEd is Outstanding in All Areas

Posted on: January 30th, 2024 by ArtsEd Admin

In mid-November 2023 ArtsEd was inspected by Ofsted regarding our Higher Education provision and we are extremely pleased to announce we have been awarded ‘Outstanding’ in all areas once again.

This follows the recent news in autumn 2023 of ArtsEd being awarded Gold in the Teaching Excellent Framework (TEF 2023 Ratings) confirming our Higher Education provision is of the highest quality and recognised as sector leading:

“From their first contact with the school, students feel welcome and valued for who they are. Staff, leaders and trustees are highly committed to training each student to become the performer they want to be. This contributes to students being highly motivated. Their attendance is excellent, as is their application to practical and theoretical classes, rehearsals and performance.”

OFSTED REPORT 2024

OFSTED, The Office for Standards in Education, Children’s Services and Skills (Ofsted) regulates and inspects to achieve excellence in the care of children and young people, and in education and skills for learners of all ages.

This visit was scheduled due to the funding support offered to our students through the Dance and Drama Award (DaDA). Dance and Drama Award (DaDA) funding is allocated for the completion of our three-year Level 6 Trinity College London Professional Performing Arts Diploma (PPAD) courses in either Acting or Musical Theatre. BA (Hons) and PPAD Diploma students study together, on the same three-year courses.

As part of the inspection Ofsted look at the Quality of education, Behaviour and attitudes, Personal development, Leadership and management, Adult learning programmes, and Overall effectiveness.  As in our previous inspection in 2015, they have awarded ArtsEd outstanding in all areas:

“Students find the work demanding and rewarding in equal measure. They know the very high standards expected of them from their tutors, which they understand reflect the standards they need to achieve for careers in their chosen performance discipline. Students consistently attain the highest level of skill. For example, musical theatre students achieve fluency in executing the complex rhythm of triplet and semiquaver combinations in tap. They rehearse and practise difficult steps, demonstrating resilience to achieve new skills in syncopated and rapid footwork. Students participate fully as members of an ensemble of trainee performers. Teaching staff very successfully create a culture of collaborative working practice and an environment in which students can safely take risks without fear of critique.”

OFSTED REPORT 2024

Ofsted continued and commented that in terms of diversity and what ArtsEd does well.

“Trustees, leaders and staff have an exemplary focus on inclusion and diversity. They use the Dance and Drama Award funding highly effectively to widen participation in the training. This contributes to a high proportion of students being from minority ethnic backgrounds and feeling fully at home at the school… Tutors teach students British Sign Language so that they can work in inclusive theatre settings. Tutors teach diverse dance motifs and movement vocabulary from global dance, so that students are ready to work in a variety of genres.”

This Ofsted report was lead by Rieks Drijver, lead inspector, Christina Christou and Chloe Rendall and focused on the provision for students studying level 6 diplomas in either professional acting or professional musical theatre; both of which are validated by Trinity College London.

Commenting on ArtsEd links with industry leaders:

“Leaders and staff work exceptionally well with industry experts to make sure that the training they offer continuously reflects developments in the industry. They understand well the interplay between the school as a training organisation and the theatre and media industries, in both leading on innovation and development while maintaining the employability of their students for current job roles

Senior leaders have a thoroughly thought-through ethos for the school. They focus extraordinarily well on students’ learning through the lens of their own cultural background. They have a deep understanding of the different elements that intersect within each student’s experience while training. This approach to the development of each student as an individual person and performer runs through every aspect of the training and is fully understood by staff. Tutors place this approach at the centre of their curriculum design and teaching.”

Farida Mannan Acting Chair of the Board of Trustees

“This outstanding result is a reflection on ArtsEd dedication to an inclusive performing arts education. The report highlights our long-standing links to industry professionals and the exceptional employability opportunities available at ArtsEd students.

The inspectors report recognises the whole team and the strong partnerships across the organisation.  I would like to thank all students, staff and wider ArtsEd community for their ongoing hard work, innovation and dedication.”

The inspection was carried out using Ofsted’s further education and skills inspection handbook and took into account all relevant provision at ArtsEd. Inspectors collected a wide range of evidence to inform judgements, including visiting learning sessions, scrutinising learners’ work, seeking the views of learners, staff and other stakeholders, and examining the provider’s documentation and records.

Full Report (Ofsted) Dance and Drama Awards – Funding for Students

Applications for September 2024 are open until 1st April, further details can be found below.

Musical Theatre Acting

2024 BTEC Fringe Festival

Posted on: January 29th, 2024 by ArtsEd Admin

Get ready for a week of student talent and creativity as the 2024 BTEC Fringe Festival graces our stage on January 30th and 31st. We are absolutely thrilled to welcome you to the annual BTEC Fringe Festival, where our exceptionally talented students will bring their creativity and passion to life in a kaleidoscope of captivating performances.

Event Details

This two-day fringe festival promises to be a celebration of the performing arts, and we are honoured to present an array of thrilling performances, including acting, musical theatre, and dance shows, all curated and performed by our incredibly talented students.

Dates: Tuesday 30th January & Wednesday 31st January 2024

Location: Studio 39 & 102, ArtsEd, 14 Bath Road, Chiswick, London, 4 1LY

Box Office Information

To secure your place for this event, simply click the button below and book your tickets today. We kindly ask you to book separate tickets for each performance, ensuring a minimum of 30 minutes between show bookings to allow for a smooth transition. With a limited seating capacity of 40 seats per performance. In case a show is sold out, rest assured, we have a waiting list to accommodate you.

No need to worry about collecting your tickets – our warm and welcoming Front of House team will be there to greet you on the evening of each performance. For those with specific access requirements, please don’t hesitate to contact us at sdye@artsed.co.uk in advance.

Book Here

Show Highlights

January 30th

Carry That Weight (by Yesterday)

The Wheels on the Bus (by The Living Room Theatre Company)

One By One (by Elimination Dance Company)

Pink Women (by 4 Shades of Grey)

I Wish (by Shows in the Key of Life)

The Box of Parallels (by The Gallery)

January 31st

Desire; Love (by Daydreamers)

The Maria Project (by High 5)

Power of Nature (by Truce Dance Company)

Ice Breakers (by Midnight Goats)

Blondilocks (by DB and Co.)

Colour Scheme (by Isolated Productions)

Book Your Tickets

The 2024 BTEC Fringe Festival promises to be an extraordinary showcase of talent, creativity, and dedication. We invite you to join us in celebrating the hard work and artistic achievements of our students. Secure your tickets now, support our emerging artists, and be a part of this unforgettable event.

Book Here

 

 

School of Musical Theatre Shows Open to a Sold-Out Audience

Posted on: January 22nd, 2024 by ArtsEd Admin

The corridors of ArtsEd are abuzz with excitement and pride as the opening night of “The Drowsy Chaperone” approaches on January 23rd. This eagerly awaited production has already marked a significant milestone by selling out within just a few days of ticket sales opening.

Winner of 5 TONY Awards, including Best Book and Best Original Score, “The Drowsy Chaperone” is a tribute to the Jazz Age musical, filled with laugh-out-loud comedy, show-stopping numbers, and captivating music by Lisa Lambert and Greg Morrison.

Directed by Philip Wilson, the production is expected to be a grand showcase of the students’ skills and hard work, featuring a unique double-cast that adds diverse flair to each performance.



This success comes hot on the heels of another ArtsEd achievement: the sell-out of “Rent,” which saw all tickets snapped up in under an hour. Directed by Tania Azevedo and set to be staged from February 6th to 10th, “Rent” has further cemented ArtsEd’s reputation for high-caliber student productions.

These consecutive sell-outs are not only a testament to the quality of ArtsEd’s productions but also to the enduring love and support for musical theatre.

“We’re thrilled to be looking ahead to the final two shows of the School of Musical Theatre Season. The Drowsy Chaperone, directed by Philip Wilson, opens this week and Jonathan Larson’s Rent, directed by Tania Azevedo, opens on 6th February. We can’t wait to welcome you to the Andrew Lloyd Webber Foundation Theatre to see the talented 2024 Musical Theatre graduates in action.

We wanted to take this opportunity to thank the students and staff for all their continuing hard work, commitment and dedication to the training.

Applications are still open for 2024/25. Please visit the ArtsEd website for further details and the link to the application portal.

Finally, keep your eyes peeled later on in the spring for the School of Musical Theatre’s announcement of our 2024/25 season of musicals!”

Jonathan O’Boyle, Director of the School of Musical Theatre

To find out more about the Musical Theatre programmes, click below:

Find out more

 

As “The Drowsy Chaperone” prepares to raise its curtains to a full house, there is a palpable sense of excitement and anticipation. This success serves as a beacon of hope and inspiration for the young performers, demonstrating that dedication and talent are indeed the keys to turning dreams into reality.

For the lucky ones who managed to secure tickets, an evening of laughter, fantastic music, and stunning performances awaits. And for those who missed out, ArtsEd encourages keeping an eye out for future productions that promise the same level of excitement and excellence.



There’s Still Time to Apply to Our Musical Theatre and Acting Courses

As the curtain is set to fall on another successful production at ArtsEd, it’s clear that the stage is just the beginning. If you’ve been inspired by the outstanding performances of our students and dream of taking your place in the spotlight, our BA (Hons) Musical Theatre or Acting course is your next step. ArtsEd is renowned for its rigorous and exceptional triple-threat training, offering an exciting and extensive curriculum designed to shape world-leading performers.

Applications for 2024 close on 1st March 2024.

Muisical Theatre Acting

ArtsEd instructs a barrister to complete a review on allegations and culture

Posted on: December 18th, 2023 by ArtsEd Admin

We are publishing this article in response to recent media coverage regarding culture at ArtsEd. You may be aware of the historic complaints raised in the press over the last number of weeks, and that further complaints and concerns have come to light since then.

These are serious allegations and do not reflect our values or the organisation we want to be.

The Board of Trustees have instructed Ghazaleh Rezaie, a barrister from 12 Kings Bench Walk Chambers, to undertake a review of the allegations and wider governance at ArtsEd.

While it is up to Ms Rezaie to agree and finalise the Terms of Reference, we are keen that this investigation is as broad and inclusive as possible, and that people have the opportunity to make their voice heard. We are determined to establish a clear account of the events and identify lessons to be learned based on the findings.

With that in mind, an independent email address has been established for anybody that wants to contribute to the investigation. enquiries@independent-investigation.com. We would encourage anybody, including all staff, students, parents and alumni to use this email address to contact Ms Rezaie.

We plan for work on the investigation to commence as soon as possible with interviews and evidence gathering in January 2024.

We hope that this statement and plan demonstrates how serious we are about holding the institution to account and how we should be determined at all times, no matter how difficult, to judge ourselves against the highest standards.

Saturdays at ArtsEd are back!

Posted on: April 9th, 2021 by ArtsEd Admin

Following the government’s confirmation that the roadmap out of lockdown is on schedule we are delighted to announce that ArtsEd EXTRA, our Saturday School, is returning to in-person teaching from 17 April!  

One of the most popular weekend Schools in West London, our Saturday Skills Academy provides Musical Theatre and Acting courses for ages 7-16. Taught by industry professionals and teachers from our Day School, Sixth Form and Higher Education courses, Saturday School pupils receive top quality training whilst making new friends and having fun! 

The Academy is run by Jessie Hills and James Wilson, both graduates of ArtsEd’s BA (Hons) Acting course. Here they explain a bit more about the return to in-person teaching this April. 

James: “We are really excited to return to face-to-face teaching however we also know that there may be anxiety among parents regarding safety. Rest assured we have lots of measures in place to be Covid-compliant, meaning pupils can concentrate on what we do best – having fun and exploring the wonderful world of performing arts!

Jessie: “ArtsEd is a fully-functioning Day School, Sixth Form and Higher Education institution, so lots of safety measures are already in place within the building. For our Saturday classes, this means we are able to offer Covid-compliant procedures right from the first session back.” 

ArtsEd EXTRA safety measures include: 

Jessie: “The school building is ‘fogged’ on Friday eveningwhen all the full-time teachers and students have left for the weekend. This is a deep cleaning process, which is very effective. Our studios are cleaned and sanitised on a Saturday morning just before we start teaching, as well. The school really has been great in supporting us to ensure we can safely reintroduce face-to-face teaching on our EXTRA courses.” 

The need to provide online, blended learning when schools were closed means we are prepared for anything if the government guidelines changeSaturday classes will always continue in one format or another. 

James: “When schools were forced to close, we proved that we could adapt with very short notice! We are now confident in our ability to deliver classes online and can switch to virtual learning with very little fuss. But with everything opening up again, and the roadmap out of lockdown on track, we’re just eager to get everyone back in the building. Zoom has sparked some lovely, creative projects in the performing arts industry but at the end of the day live theatre is supposed to be just that – LIVE! 

Jessie: “We’re really fortunate to have pupils and parents who have stuck with us through online classes and are returning for the new term. But there are some spaces available for newcomers, and now really is the time to join us. This term is going to be so much fun! 

For the Summer term, the Saturday Academy is focussing on a Disney compilation show that will be performed in our in-house venue, the Andrew Lloyd Webber Foundation Theatre.  

Musical Theatre students will be exploring songs, dances and scenes from Disney musicals and the actors will be using Disney characters to create their own unique scenes. The show will be performed in June. 

For more information and to book, click here

PHOTOS: Tess Henderson

Jonathan O’Boyle Appointed as Director of the School of Musical Theatre

Posted on: March 26th, 2021 by ArtsEd Admin

ArtsEd is delighted to announce the appointment of Jonathan O’Boyle to the role of Director of the School of Musical Theatre, effective November this year. 

Jonathan, who is from Derbyshire, trained as an actor at the Central School of Speech and Drama and then went on to study directing at Birkbeck, University of London where he graduated with an MFA in Theatre Directing. He continued his training working with Jonathan Church at Chichester Festival Theatre and Daniel Evans at Sheffield Crucible. He has also held the position of Associate Director at Theatre503. 

He won Best Director of a Musical and Best Musical Production at the 2021 Off West End Awards for his production of The Last Five Years (Southwark Playhouse). His 2017 production of Hair (UK Tour/The Vaults/Hope Mill Theatre, Manchester) won Best Off West End Production at the WhatsOnStage Awards and will continue to tour internationally when theatres reopen. 

Jonathan’s extensive CV includes directing credits for Bill Kenwright (Cruel IntentionsRain Man), This House, for Headlong and National Theatre, and a series of plays at Trafalgar Theatre; BASHRasheeda Speaking, and A Guide for the Homesick. He directed The View Upstairs (Soho Theatre) and for Southwark Playhouse, Pippin, and Aspects of Love. In 2019 he directed Rodgers and Hammerstein’s Cinderella at Cadogan Hall. 

On his appointment Jonathan said: 

“I am truly thrilled to be joining the ArtsEd family as the Director of the School of Musical Theatre.  As one of the leading drama schools in the country, with the UK’s premier training course in Musical Theatre, ArtsEd is firmly at the top of its game. I have always had the most joyous time working with the students at ArtsEd, and I can’t wait to continue that work and shape the future of the course.  

We are entering a challenging time in the arts sector. As we begin the road to recovery after the devastation of COVID-19, drama training will continue to evolve and change with the times. I am looking forward to that challenge, being at the centre of a school that strives for excellence.” 

In addition to his own directing career, Jonathan has worked with and assisted leading directors including Susan Stroman, Jonathan Church, Jeremy Herrin, Daniel Evans, Clare Lizzimore, and Jessica Swale. He assisted Christopher Wheeldon on An American in Paris at the Dominion Theatre and Neil Armfield on The Judas Kiss in Toronto and New York. 

For ArtsEd, Jonathan directed Nice Work If You Can Get It (2019) and will direct The Wedding Singer later this year. His appointment starts in November, after the autumn half-term, as he is directing Top Hat at The Mill at Sonning in September. This production will be Jonathan’s last show for a while as he shifts focus to concentrate on this new, exciting role. Jonathan will succeed Chris Hocking, Principal of ArtsEd since 2017 and Director of the School of Musical Theatre since 2006. 

Chris Hocking said: 

“I am delighted to confirm this fantastic appointment and welcome Jonathan to the ArtsEd family! His award-winning theatre career speaks for itself, and I’m certain he will add huge value to ArtsEd’s musical theatre training in what is an ever-changing landscape. I very much look forward to working with Jonathan as I hand over the School of Musical Theatre curriculum to him.” 

Photo: Nick Rutter

David Ian donates £250k to ArtsEd capital campaign

Posted on: February 25th, 2021 by ArtsEd Admin

In a week of positive news for the performing arts and education sectors, we are delighted to announce a major donation of £250,000 from David IanThis key gift launches our fundraising campaign for the ArtsEd Playhouse, the final phase of a ten-year, £20 million investment in our Chiswick home. This summer will see the official opening of the most recent element of this exciting project, a three-storey extension into an underused courtyard that includes new rehearsal rooms, dance studios and classrooms. The project was launched in 2013 with the creation of the Andrew Lloyd Webber Foundation Theatre.  

The ArtsEd Playhouse will replace the old Studio Theatre, enabling students to develop the skills required to perform in more intimate spaces and ensuring that we can continue to stage more than 20 professional standard productions per year. 

David Ian was appointed as a trustee to our board in November 2020. Chief Executive of his eponymous production company, and the recipient of five Olivier awards and three Tony nominations, David is a world-renowned theatre producer with a highly successful career spanning over 30 years.  

David said: 

“As a long-time friend to, and supporter of ArtsEd, I was delighted to be appointed to their Board of Trustees last year. Their Chiswick home has undergone a remarkable renovation and extensive addition to its facilities, ensuring it will remain at the forefront of performing arts training in the UK for many years to come. I’m pleased to kickstart their final round of fundraising, which will allow for the building of the ArtsEd Playhouse and complete their capital campaign.” 

David took a tour of the new building in December, and Chris Hocking, Principal of ArtsEd, was pleased to show him the rehearsal studio named after him.  

Chris said:  

David’s generous donation means we are now close to finishing what has been a ten-year project to improve and increase the facilities of our Chiswick home. This investment in ArtsEd demonstrates David’s commitment to supporting us as we provide world-leading training in the performing arts, despite the many challenges to our industry over the last year. I can’t wait to welcome audiences to the new ArtsEd Playhouse very soon!” 

 

Photo: Robin Savage

ArtsEd MA Acting – The Perfect Launch Pad

Posted on: February 8th, 2021 by ArtsEd Admin

Photo: MA students rehearsing Love & Information, 2020. Photographer: Steve Gregson

“The biggest misconception about our course is that it’s academic – a theoretical study,” says Simone Coxall, joint leader of the MA Acting course at ArtsEd, “when it couldn’t be further from that!” 

Simone speaks with passion, as does her co-leader, Richard Neale, when it comes to describing the course. “It’s vocational training. Rigorous, focused and intensive vocational actor training. People hear ‘MA’ and assume they will be writing essays about theatre.” Richard jumps in to qualify, “but our MA a one-year, professional actor training course. 

This is important for many reasons, says Richard. “There is the fundamental difference between academic and vocational in terms of the curriculum and learning, which is no small thing. Then there’s the funding element. Although the ArtsEd MA is a vocational course it is still eligible for government funding, a fact that is not widely known. People may be put off at the prospect of fees, but financial help is there if you look for it.”  

An online search for ‘postgraduate funding’ reveals encouraging government support for MA studies (more than £11k can be available for UK residents, for example), and there are several other options for support. Student finance, in the form of loans similar to those for undergraduates, is available. Funding options exist for single parents, low-income families, care givers and care leavers, disabled applicants, migrant students and more. Richard strongly advises applicants to look through all the information on the government website, which is linked at the bottom of this article. “Funding isn’t necessarily reliant on applicants having an undergraduate degree, either”, he says.

Which brings us to another misconception about the Acting MA – the idea that you must have an undergraduate degree in order to apply. “You don’t need to have done a degree to qualify for our course,” Simone confirms. “In terms of funding it’s not a necessity, as long as you fulfil other criteria and as long as the course you are applying for is eligiblewhich ours is. But entrance is not all about funding, anyway.” 

So, what is the criteria for the ArtsEd MA in Acting? What are Simone and Richard looking for in applicants? “Applicants need to know they want to be an actor!” says Simone. “An applicant must be hungry, curious, hardworkingWe are seeking a really interesting, diverse cohort of students that demand something of themselves in a rehearsal room. I can’t give a tick list of attributes or experience we are looking for, because our course is very much led by the group. Every year will be different.”

Richard agrees. “We get inspiration from our students. The impetus comes from within the year group. It’s the lived experience of the students, and the wonderful individuality of those experiences that affects how we study and interpret a text. We aren’t gatekeepers of art. Art is a shared experience, and that’s how we work, every day with our MA students.” Simone is also keen to emphasise that “we aren’t looking for the finished article. Just as with any Actor training course, we’re looking for potential, and an eagerness to learn.” 

As joint course leaders, the pair complement each other brilliantly, often helping to finish a thought or evolve an idea. As Richard puts it, “we work differently towards the same outcome, and wrestle with ideas together, bashing around until we come to a meeting point and then ‘bing!’ we hit upon the same solution!”  

When it comes to their teaching style, and methods, they are completely aligned. “Simone and I teach through offers, suggestions, and guidance” says Richard. “It’s about personal exploration as opposed to ‘this is right, that’s wrong’, which is vocabulary that we don’t use on our course. It’s about unlocking, harnessing, and sharpening the thoughts and curiosity of our students.”  

As new course leaders, Simone and Richard take seriously their responsibility to consider the relevance and ongoing development of their curriculum, particularly given the current conversations and progress across the industry. “We are interested in keeping hold of the traditions that are constructive, and rethinking those that are less constructive, less useful now. We retain only the techniques and training that are actually useful for the actor working in the modern, progressive world.” 

Supporting them in their vision is Julie Spencer, Director of the School of Acting, to whom they directly report. Since her appointment two years ago, Julie has developed the ArtsEd Acting curriculum to decolonise techniques and training, and bring the students’ cultural experiences into the conversation, throwing off the long-established Eurocentric approach of ‘we say, you do’. In a recent article by Lyn Gardner for The Stage, Julie set out her stall: “Actor training can’t remain static. If you have different students in the room, you have to respond to that. It’s about widening the canon and the curriculum, not losing rigour.” 

Why a one-year MA? 

Simone and Richard are keen to emphasise that the MA Acting course is not a three-year course simply crammed into one. “This is a course for many different types of people, different ages, with different skills and experiences, but perhaps with one major thing in common, which is that they have not taken the ‘standard’ route to vocational drama training” says Simone. Both go on to discuss the various circumstances a person might find themselves in when considering a one-year course instead of a three-year degree. Some are older than the average undergraduate, and perhaps pursued a different avenue before discovering a passion for acting. The course attracts a lot of musical theatre graduates, both from the UK and, particularly, America who decide they would like to spend a year sharpening their acting skills and technique. Others have some professional experience already and don’t feel it necessary to go right back to basics with a three-year course. The age range in the current MA cohort is 22 to 55, which Simone and Richard say is “brilliant – so exciting! It’s closer to what you’d expect to find in a professional company of actors. 

What about the training? 

“The one-year format isn’t a diluted degree,” says Richard “it’s just accelerated. It’s intense. It’s highly focused work, eight and a half hours a day, five days a week, where we jump straight in, full throttle. There’s less time for slowly discovering oneself, which is fine because our students don’t sign up for that – they want to get cracking from day one, exploring a text and bringing it to life. Just like in a professional rehearsal room, that’s what we do!” Simone describes the MA process as “grabbing everything from around you and really making demands on yourself in that one year of focused work.” Both are keen to underline their understanding of the emotional challenges of career in the performing arts and their commitment to preparing their graduates for the rigours inherent in the profession. “Our students leave us with the tools and skills they need to keep themselves physically and emotionally robust for the industry,” says Simone.  

The future 

Simone and Richard are excited to develop the MA in Acting course at ArtsEd and continue to push the boundaries of what it can achieve for its students. Both are strong advocates of diversity“It becomes a positive feedback loop” says Simone. “If we create a truly diverse cohort our course becomes responsive and reactive to that cohort. The ‘who and the ‘what’ of our texts and our work is moved and shaped by that unique set of actors, working collaboratively. It becomes transformative.” 

For more information and to apply: MA in Acting

For more information about MA funding: UK Government website

ArtsEd Alumni spring to fame in hit TV shows this January!

Posted on: January 28th, 2021 by ArtsEd Admin

We’re all looking for some gripping TV shows to get us through those dark January evenings! Thankfully, our alumnus Omari Douglas (BA Musical Theatre, 2015) and recent graduate Isabella Pappas (Sixth Form, 2020) have been gracing our screens during primetime.

Omari is a series lead in brand new channel 4 hit: It’s A Sin, written by Russell T Davies. Isabella has appeared in star-studded ITV series: Finding Alice. Since hitting our screens this winter, both Omari and Isabella have been listed on I Talk Telly’s The 21 TV Stars of Tomorrow 2021, so there’s exciting times ahead for these two young stars.

In It’s A Sin, Omari plays the lead role of Roscoe Babatunde alongside Years and Years singer, Olly Alexander. The series is set during the AIDS epidemic in the 1980’s. and since its release on 22 January, audiences have gone wild for it. Omari has been interviewed on a number of platforms discussing Roscoe’s extroverted character, and how people like him shaped the gay landscape for future generations:

In new ITV drama Finding Alice, Isabella plays the role of Alice and Harry’s 16-year-old daughter Charlotte. The cast also stars: Keeley Hawes, Joanna Lumley, ArtsEd alumnus and Patron, Nigel Havers, Jason Merrells, Gemma Jones, Kenneth Cranham and Sharon Rooney. You can read more about the show and Isabella’s experience in our news story. Since Finding Alice was released on 17 January, Isabella has chatted about the show on Channel Four’s Sunday Brunch and BBC Radio London. She has also appeared on a number of online platforms talking about her experience (and her favourite books!):

We are delighted to see two of our alumni playing lead roles in new TV shows this year, and we hope you will be tuning in if you haven’t already!

Chris Hornby Bursary Scholar takes to the stage at ArtsEd

Posted on: January 20th, 2021 by ArtsEd Admin

Chris Hornby’s legacy continues at ArtsEd with this year’s bursary awarded to Maria Conneely, a third-year student on the Musical Theatre course.

The Chris Hornby Bursary Fund was founded in memory of Chris in 2015. At the time of his death, Chris was the Resident Director for Disney’s The Lion King at the Lyceum Theatre, having performed the same role for Cameron Mackintosh on his production of Oliver! at The Theatre Royal, Drury Lane.  Over the years Chris had worked as a choreographer, dance captain, and actor.

Chris was loved and respected throughout the industry and especially well known for his love of nurturing young upcoming talent. As a former ArtsEd student and bursary recipient himself, Chris knew the vital role that bursaries play in a young person’s journey into the performing arts industry.

We are enormously grateful for the wonderful support from Tim English, Chris’s partner, and so many of Chris’s friends and family, all of whom have been instrumental in fundraising for the bursary.

2020 saw a special milestone reached when Jacob Thomas, the first Chris Hornby Bursary Scholar, completed his BA in Musical Theatre, having been supported by the Fund throughout his training.

Jacob Thomas said: “The support I have received not only financially but emotionally from Tim and the Chris Hornby bursary has been a crucial factor in my development and completing my degree. This has been a life changing opportunity that would not have been possible without the bursary. I am so excited to see where my career takes me, and to make Tim and Chris proud.”

This year’s recipient, Maria Conneely, is thrilled to be awarded the Chris Hornby Bursary.

Maria said: “I feel so honoured and privileged to have received the Chris Hornby Bursary this year. The financial support makes such a different to myself and my parents, for this we are so grateful. This aside, however, the emotional support I’ve received as a Chris Hornby Scholar is impossible to put a price on. I’m so grateful to have met Tim and to be welcomed into his family as a scholar, I can’t really imagine not knowing him now! This bursary is so precious to me and has already supported me in so many ways in my final year of training. For the rest of my career, I will do my best to make Tim, and all the supporters of the fund, extremely proud.”

You can see Maria performing two solo pieces onstage in the Andrew Lloyd Webber Foundation Theatre in her showreel and explore the class of 2021 here.

Tim English said: “I’m thrilled that the Chris Hornby Bursary is now providing help and mentoring to its second talented student at ArtsEd, Maria Conneely.  Chris was a great advocate for younger performers and seeing our scholars shine warms my heart and comforts me that his death has not been in vain.
To see our first scholar, Jacob Thomas, grow and progress through his training has been wonderful and to be able to provide that opportunity to someone whose talent my otherwise have gone unnoticed is exactly why this bursary was set up. One of my personal highlights was seeing Jacob in his first professional show, ‘Soapdish’, at the Turbine Theatre, starring Louise Dearman, a great friend of Chris’ and a wonderful supporter of the bursary.
I’m determined that the Chris Hornby Bursary should continue to provide funds and mentoring for as many students as we can. Everyone with a dream to perform deserves a little help.”

Since the fund’s launch, an incredible £30,000 has been raised to help students with exceptional talent who need financial support to fulfil their dreams.  Thank you to everyone who has supported the Fund, from all of us at ArtsEd.

If you would like to donate to the Chris Hornby Bursary Fund, you can do so here, be sure to select the fund in the drop down option.